One last word to the wise? Decide on your ending before you ever write a single word. Keep it simple!Ĭrafting the perfect ending to your screenplay is a daunting, challenging, and extremely surgical process that requires careful thought and consideration. You’re not writing a book here, so there’s no need for flowery language either. Lastly, remember that less is more when it comes to action descriptions. People often use conversations as expository dumping grounds, at the expense of character authenticity or other narrative elements. It’s also important not to use dialogue as a storytelling crutch, especially in the conclusion. In short: don’t! Not only does this take up precious real estate within your page count, but it’s also considered an overstep of the writer’s job, which is to create a narrative template for other creative leaders, namely the director, to bring in their own styles and interpretations. There are other ways to use your “Screen Transition” to mark the end of your script as well, including:Ī common mistake screenwriters make is sprinkling these phrases throughout their script as editorial or directorial notes. This can be written as a “Scene Transition” that’s formatted to the right margin of your screenplay, or as a separate “Action Description” that’s aligned in the middle of your script. No, seriously! That may seem like a laughably obvious point, but you’d be surprised how many first-time screenwriters don’t realize that that phrase, or phrases with a similar utility, need to literally mark the end of your script. Ready to learn more? Let’s break down the pillars of a strong conclusion below. Trying to thoughtfully conclude your story is a huge, multi-prong effort, but we’re going to break down the mechanics of a successful conclusion into two major focuses: Mechanics and Types. You see, the beauty of storytelling, however, is that no matter the genre or medium, nearly all of these principles apply to your screenplay whether you’re writing a comedy, drama, web series, TV pilot, feature film, short film, or anything in between, your conclusion is arguably your biggest narrative pillar, and the rules for how to create an effective version are completely agnostic.
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