I contributed to his Arena magazine that he started selling outside of Cobo Arena, much to the dismay of The Sheik and the Big Time Wrestling (BTW) promotion. “I first met Brian in 1969 when a group of us fans would gather at Cobo Arena to talk wrestling, trade pictures and exchange material we gathered from pen pals around the world. A photographer and writer, later Burzynski became manager “Supermouth” Dave Drason. “That is, in fact, how myself and fellow long-time friend ‘Handsome’ Gary Kamensack met and got to know Brian.”ĭave Burzynski was another of those Detroit kids, superfans who knew all that was going on locally, and participated in the larger wrestling scene through fan clubs, newsletters, and attending fan conventions run by the WFIA. “He started and published Arena magazine in 1972, which later became known as Stranglehold, and was sold outside in front of Cobo Arena in Detroit at all the matches every other Saturday night,” Mancuso wrote in tribute. Gary Mancuso was one of them and he and Bukantis became best friends. In the late 1960s and early 1970s, there was a tight-knit group out of the Detroit scene, wrestling fans who became much more. It has left friends and colleagues considering Bukantis’ legacy. His other writings include educational videos for high school text book publisher Jacaranda and film reviews for Westside Radio, for which he also occasionally joins the Sunday breakfast show on air.While you might not know the name Brian Bukantis, you will know his work as the publisher of Strangehold and Body Press magazines, and as the man behind Goldmine Magazine: Record Collector & Music Memorabilia.īukantis’ death at age 73, on February 17, 2023, was not unexpected, as he had been in poor health for many years. Outside of his studies, Mark co-created, wrote and voiced the YouTube channels CultureCrash and Scriptease (What’s up Crash Stans?). With a Masters of Screenwriting from London Film Academy and a Science Honours from the University of Melbourne, Mark's interests are linked by an innate curiosity for the world around him. He loves all things fantasy and animation, typically leaning towards darker and surreal stories. As a screenwriter, Mark loves delving into the themes and storytelling techniques in games and film. Mark Rowland is a Gaming Features writer for Screen Rant who grew up playing Nintendo games with his older brothers - you’ll still find him obsessing over Pokémon, Zelda and Pikmin. The personal reasons for why a card is underrated demonstrate why collectors love the Pokémon TCG. Plenty of Pokémon cards are rare but well-known to form an impressive collection means finding those cards which exemplify the collector’s personality and ignite their passion for the game, its marketing and its dedicated creators. Only half the appeal of a Pokémon card is being rare: Knowing the story behind why the card is so hard to find makes the collection that much richer. Perhaps Jirachi will have its time in the sun again one day. Regardless, Jirachi is still relatively popular and the artwork’s radial design is enjoyable to look at. But over time, its apparent abundance in the online market saw its price plummet, and its position was usurped by none other than Rayquaza, again stealing the spotlight from less-popular Legendaries. When the Vivid Voltage set first released in 2020, this Jirachi was the card every collector wanted to pull. This last Jirachi card has it all: Beautiful artwork, a fan-favorite Pokémon, amazing rare status and, at the moment, a low price-point.
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